Monday, October 30, 2017

Thunderstick Retrospective and Interview with the Man behind the Mask, Barry Graham Purkis:

By: Lucy Hall

Barry Graham Purkis, AKA Thunderstick
     Barry Graham Purkis, the virtuoso drummer with the primal, otherworldly persona known as Thunderstick has been creating experimental, transcendent, hypnotic hard rock music for over four decades. Thunderstick’s rhythmic, rolling, thunderous drum patterns and his sinister image has become legendary trademarks. He cites theatrical acts such as Alice Cooper and The Tubes as his primary musical influences and has said he has been greatly inspired by horror films. These influences are evident as demonstrated in his unusual, experimental sound and look. 
 
Thunderstick Onstage

     Thunderstick wore and continues to wear his ominous trademark masks which consist of various ski style masks of leather, rhinestone, mirrorball rhinestone covered, tassel-topped, and black cotton. His stage attire has also included black and white makeup, a Halloween (old man) rubber mask, collars, capes, chains, animal print jumpsuits, gloves, studs and lots, and lots of leather. Thunderstick often played onstage in a closed cage, which marketed his concept of a drummer as a savage animal with whom needs to be retained. Thunderstick’s groundbreaking conceptual ideals made him the most memorable British artist in heavy metal music.


Thunderstick Promotional Photo

      No two bands have been as intertwined through the years as Samson and Iron Maiden. Not only did they tour together, but Thunderstick was initially Iron Maiden’s drummer (1977-78) until swapping places with Samson’s drummer Clive Burr. In 1980 Thunderstick was asked to re-join Iron Maiden, however, he remained with Samson. Later on, in 1981 preceding the Live at Reading (live album released in 1990) festival performance, bandmate Bruce Dickenson switched over from Samson to Iron Maiden as their vocalist. Samson was originally formed in 1977 by guitarist/vocalist, Paul Samson. The band had several incarnations with various band member lineups. The classic line up consisted of Bruce Dickenson (vocals), Paul Samson (guitar/vocals), Chris Aylmer (Bass), and Thunderstick (drums). Everything about this line up was masculine, commanding and primeval. From the band’s name Samson (which invokes images of the mighty Samson Biblical figure knocking down stone pillars) to Bruce Dickenson’s stage name being known as simply Bruce Bruce, to Thunderstick’s persona and the band’s film Biceps of Steel.     

Samson Promotional Photo
     Samson’s debut album, Survivors was released in 1979. However, it was their 1980 sophomore album, Head On, featuring a menacing pose of Thunderstick in his leather mask as an executioner on the album cover that put the band on the metal map and peaked in the UK charts. Samson has had several reunions until the early 2000’s. They officially disbanded in 2002 with Paul Samson’s death.

Samson Album, Head On Cover

     Samson embarked on a wholly unique venture when they appeared in their film, Biceps of Steel in 1980. The plot played out the biblical story of Samson, heavy metal style. Thunderstick had a rare appearance without his notorious mask in the film. He starred as the main character, while his brother in law Ben K. Reeves switched places with the drummer as his double and donned his mask. Thunderstick’s character was a heavy metal roadie with supernatural strength. Instead of stone pillars, this personage of Samson as a roadie knocks over stacked amps, in the very metal scene. The film was a surreal fifteen minutes used as a promotional piece for the band. The film was released on DVD as part of Bruce Dickenson’s Anthology DVD. I received my copy of the Deadline Records DVD release (2003) of the film as a gift. 
     In 1981, Samson appeared in the cult horror film, Incubus. In this film, a clip from Biceps of Steel of Samson performing the song, “Vice Versa” was used. The band’s performance and eerie sound transports the viewer to another time and place.  A place where concert-goers are stalked by a mysterious monster and a murder scene in the venue’s toilet becomes conceptual art with the addition of the Samson track. Because of Samson’s appearance, I have replayed the film dozens of times and have also skipped through to the performance scene numerous times. Although there were murders and monsters at hand, I still wish I were part of that audience. Now that’s an intense and extreme statement that I would risk being stalked by a creature just to be able to see Samson in concert but that is just a testimony of how the band’s performance draws in an audience. I could simply watch the music video of the song on Biceps of Steel, however, I enjoy watching the sequence with the murder scene while the song plays out. Samson’s “Vice Versa” track warrants its place in the film and is a more than perfect fitting.
 
Incubus Official Movie Poster

     Thunderstick’s solo career began after he left Samson in the early 80’s and formed his self-titled band, Thunderstick. This group had several female lead vocalists these consisted of Vinnie Munro, Anna Marie Carmella Borg, Jodee Valentine, and recent vocalist Lucie V.  Thunderstick has been known for his bold statements. In particular, there is his concept of the drummer as a faceless, primal animal. Drummers have often been viewed as the rhythm section behind prominent front men, who are the most recognizable. However, the imaginative Thunderstick brought the drummer figure to the frontlines. Whenever I see promotional photos of Samson or the Thunderstick band my eyes inadvertently focus on Thunderstick as do anyone else who views them. He experienced some controversy during the beginning of his career due to his persona of the wild, masked, caged drummer. At that time in news headlines, there was a masked rapist stalking women, which in no way or form was Thunderstick glorifying or endorsing these crimes. Never the less like most rock stars, he received backlash and was blamed for promoting crime simply due to his heavy metal image. Having had female vocalists fronting his band was a type of throwback to all the controversy. In addition, he proposed that his animalistic drummer image vs. the beautiful female vocalist was a type of beauty and the beast concept for the stage.

Thunderstick Album, Echoes From The Analogue Asylum Cover

     The heavy metal genre known as The New Wave of British Heavy Metal took place near the end of the 1970’s decade. This occurred near the two-decade mark of the godfathers of heavy metal Black Sabbath and Led Zeppelin reign, which ushered in a harder sounding new generation of British metal. Thunderstick is considered the godfather of the “New Wave”. His dominant presence energized the movement and he became the face of the scene. The best-known bands from the genre were Samson, Iron Maiden, Def Leppard, and Saxon. There were many other groups that made significant contributions to the movement. The New Wave of British Heavy Metal ’79 Revisited is a compilation album featuring various artists of the movement which included some unbelievable heavy hitters. The album was assembled by Metallica’s drummer, Lars Ulrich and music journalist, Geoff Barton and was released in 1990. Not only was the amazing Samson featured on the album but also Diamond Head, Saxon, Raven, Def Leppard, Girlschool, Iron Maiden, Tygers of Pan Tang, Venom, Angel Witch, Witchfinder General and Blitzkrieg. Several of the band's concert or promotional photos were presented on the album cover, however, Thunderstick was dead set in the center with a bigger promotional photo wearing his mask which in turn declared him to be the “new face of the new wave of British heavy metal”.

New Wave of British Heavy Metal ’79 Revisited Album 

I recently had the opportunity to interview the masterful man behind the mask, Thunderstick:
 
HEAVY MAKEUP: When did you get into playing drums and why?
 
Thunderstick: Hi Lucy, The way I got involved did have a defining moment.  I was a young kid helping my uncle collect stuff for a jumble/garage sale.  Somebody threw out a pair of military drumsticks for the sale.  Guess what …they didn’t make it - I kept them.  The flame had been lit.  I started beating up on my parent's furniture until they were forced into buying me a drumkit just to stop the carnage……I was 9! 

HEAVY MAKEUP: Do you remember your first professional gig? What was that like?               

Thunderstick: When I was 17, I left home and I went to Sicily and moved in with a band that had been going since the 1960s, a band called "The Primitives". It was a band that had done really well in those days and had huge hits in Italy and throughout Sardinia, Greece and all the Mediterranean area.  The people that were listening to the band didn't really mind who was in it as long as it existed, so we were doing all this stuff in Italian and stuff like that but in between, we were doing numbers like "Jumping Jack Flash" and stuff that we were writing as well. I think that that's when I really did learn because I went out as a boy with a lot of young ideas, got experienced and came back to the UK with a far more ‘Grown Up’ attitude.

HEAVY MAKEUP: Who are your favorite drummers? Also, what artists or bands do you currently listen to?

Thunderstick: My favorite drummers? Well, I really like to think that my musical ‘likes’ are quite diverse and eclectic this also applies to drummers that I regard as big influences. So they are: Pierre Moerlen (GONG) RIP, Prairie Prince (The TUBES), Guy Evans (Van Der Graaf Generator), Keith Moon (The Who) RIP, Ian Paice (Deep Purple) and John Bonham (Led Zeppelin) RIP. 

HEAVY MAKEUP: What is your favorite song to perform live?

Thunderstick:Thunder Thunder’ 2017 version on the new album. 

HEAVY MAKEUP: What advice would you give to a young drummer?
 
Thunderstick: Find your own style. Of course, it is great to know your rudiments but if you sound like every other technical drummer you aren’t going to ‘stand out’. I have never had a lesson in my life and my playing just comes from my heart. I should’ve had a few lessons I suppose to help with the fundamentals of playing but I was too busy having fun learning my own particular way of playing. 

HEAVY MAKEUP: You are one of the forefathers of heavy metal, with that said, what do you think about the changes in metal music today? Are you inspired at all by what’s going on in music today? 

Thunderstick: Yes and No…..  I think that ‘Metal’ or ‘Rock’ has become far too fragmented. Why does everything have to be so compartmentalized? Doom Metal/Speed Metal/Heavy Metal/Death Metal/Funk Metal/Alternative Metal….blah blah blah…… I have however never really regarded my band to be HM I have always maintained that it is a ‘Rock’ band. On the positive - technology has enabled musicians to find new and innovative ways of recording sound so that we are able to constantly evolve. Having said that though, the remit that I tried to stay true to on the new THUNDERSTICK album was trying to find balance  - digital music with an analog feel. In other words capturing both sounds and arrangements of a time when ‘Heavy Metal’ was in its infancy coupled with today’s techniques.  
 
HEAVY MAKEUP: Will there ever be a chance of a Samson reunion?

Thunderstick: Seeing as though the only original Samson members that are still alive are Bruce and myself it is pretty unlikely. Paul and Chris RIP. 

HEAVY MAKEUP: The film, Incubus is in my collection of rock horror films. When I watch the Samson scene in the film I feel like I am in a dream sequence and transported to an alternate realm of reality. I could literally watch it every day. Can you tell me about your initial thoughts on starring in a rock horror film? Were you excited? Did you have any concerns on how you or the band would be portrayed? Any highlights that stand out? 
 
Thunderstick: Samson had nothing to do with the inclusion of using part of our ‘Biceps of Steel’ footage within ‘Incubus’ I think that it had something to do with the label that we were signed to ‘Gem Records’ placing it within the film.  However, the making of ‘Biceps’ was pretty crazy for me. I played the super strength roadie as myself then for close-ups of Thunderstick in his cage donned the mask. The audience that we had in the film were not aware that I was playing both the Roadie and Thunderstick. We had a stand-in (my brother in law at the time) to put the mask on and be Thunderstick whilst both were in a shot at the same time.  It was all shot on film rather than video, using five cameras. 

HEAVY MAKEUP: As an early member of Iron Maiden, and being in a band with Bruce Dickinson who appeared to have a very manic stage presence, out of all the musicians you have worked with who in the business has left the greatest impression on you?

Thunderstick: THUNDERSTICK… 
 
HEAVY MAKEUP: Have you ever had any mishaps or Spinal Tap type experiences?
 
Thunderstick: Oh Yes…The more that you put into a stage show the more there is to go wrong until you become a well-oiled machine like Maiden, doing the same each night.  Samson would regularly have ‘tapisms’  we were using a large amount of ‘pyros’ each gig, nothing like Rammstein but still quite a large amount. On one occasion our roadie/pyromaniac decided it would be good to pull apart the explosives and put a trail of gunpowder right across the front of the stage for the ‘first chord’ of our set detonation.  So we go into the first song…and BANG… a six-foot high sheet of fire roars itself across the stage taking the front row of the audience completely by surprise, removing their eyebrows as it goes. We the band, are left temporarily blinded for almost the whole of the first song unable to see the tiny bits of molten shrapnel cascading down on top of both band and audience, stinging as they land on bare flesh…After the gig my drum tech pointed out that my cymbals were completely covered in small particles of metal that had actually welded themselves to their surface. It’s only rock’n’roll but I like it….    
 
HEAVY MAKEUP:  The film Biceps of Steel, is a musical parody of the band’s namesake, Samson and a retelling of the Biblical Samson and Delilah. The epic tale follows the hero Samson as he is portrayed to be a heavy metal roadie. You were actually the actor portraying Samson, and your brother-in-law portrayed the role of you and wore your mask. Who made the decision for you to switch places with your brother-in-law for that role? Also, the story and film was a brilliant concept. Who came up with it?
 
Thunderstick: As soon as the film company decided to use me as the roadie I came up with the idea of having a stand-in THUNDERSTICK when we were both in the shot.  As already explained in question 8 my (then) brother-in-law at the time stood in for me and he would much later become my bass player in THUNDERSTICK. The idea of the ‘Samson & Delilah’ storyboard was presented by the film company, then we (the band) added any additional ideas of our own to it. 
 
HEAVY MAKEUP: Your self-titled band, Thunderstick had three different female singers, which appeared to have punk and pop elements. How would you describe the differing musical style of Thunderstick compared to Samson? What was it like working with female singers? 

Thunderstick: The concept of using a female vocalist to front a metal/rock band was comparatively new at that time (the 80s).  There were all female bands such as Rock Goddess and Girlschool, but not females fronting a testosterone-fueled male bunch of hard rockers.  I wanted to change that.  The punk and pop influences came about really because as already stated my tastes in music are quite eclectic and I wanted to bring a little more ‘coloration’ to my compositions. Also, I have always regarded myself as first and foremost a musician more than just a drummer. I wanted to embrace my influences by putting them into my songwriting. Although Samson had variation its music there was always a formula and we wouldn’t stray too far from the ‘safe’ musical path. Unfortunately for me though the listeners that ‘got it’ fully understood my reasoning and fully supported it but they were however in the minority. So the ones that never understood the thinking behind it missed it…By Miles!  That was the gamble I took. 
 
HEAVY MAKEUP: You had said in past interviews that you based your masked persona on your love of horror, in particular, Hammer House films. I am a huge Hammer fan. My favorite film is The Devil Rides Out, and I would love to know, what is your favorite film from Hammer studios?
 
Thunderstick: I would have to agree with you on that one ‘The Devil Rides Out’…so much so that at one time I wanted to call our daughter Tanith...Have you noticed that Iron Maiden now use the exact replica of the Goat of Mendes in their stage show. Do you think that they had to buy the copyright for it?
 
HEAVY MAKEUP: Very interesting!
 
Thunderstick: On another point, I once took Ingrid Pitt (Vampire Lovers, Countess Dracula, Where Eagles Dare) to lunch...! 
 
HEAVY MAKEUP: Very cool! Wish I could have been a dinner guest with you two great horror icons. You have one of the most truly unique theatrical images in heavy metal music. You clearly stood out then and you continue to be recognizable today and your image has never been out of date. You wore leather, face paint, and performed inside a metal cage. In particular, you are known for wearing sinister masks. Do you still have your original masks? How do you display or store your masks?
 
Thunderstick: I am quite unceremonious about the masks, they are stored in a stage clothes box that is in the loft at my house. The only time my main one makes an appearance is when I metamorphosis into ‘him’. As far as the other masks are concerned, yes I still have most of them…including the original one that I wore throughout my time with SAMSON. 
 
HEAVY MAKEUP: You are one of rock’s radical musical innovators who incorporated your own distinctive persona and talent for incredible drum patterns into your stage performance. When you are writing your music, where does your inspiration come from?
 
Thunderstick: I think that we have covered this question really already, but thank you for the praise. The inspiration for a particular song will, like so many other songwriters, come from anywhere and also when you least expect it.  It is great that smartphones now all have facilities that enable recording of the ideas as and when they come. I have been known to get up in the middle of the night and start singing at my phone and then go back to bed.  
 
HEAVY MAKEUP: You are known for your huge drum sets have you kept them all?
 
Thunderstick: Yes! The main one being the Pearl Chrome kit circa 1980 as used on the latest album ‘Something Wicked This Way Comes’. 
 
HEAVY MAKEUP: You were the face of the New Wave of British Heavy Metal ’79 Revisited. A compilation compiled by Metallica drummer, Lars Ulrich and Music Journalist, Geoff Barton. Samson had tracks on the album alongside Angel Witch, Venom and Diamondhead. How does it feel to be the face of a nationwide musical movement? Did you think Samson’s music was a good fit for this compilation? 
 
Thunderstick: I was quite disappointed that the compilers of that particular album found it necessary to cover up the main picture of THUNDERSTICK on the front cover by placing pictures of the other bands over it. Apparently, it was deemed to be too contentious and could somehow limit the amount of mainline shops that would be prepared to stock it. Pathetic, If that were to still be adhered to there would be no ‘Slipknot’. Lars Ulrich did say that I was an early influence which was a great compliment. Did you know that Metallica once supported THUNDERSTICK at a KERRANG party? Where did I go wrong???!!! LOL  
 
HEAVY MAKEUP: Your face should have been on the only image on the cover and should have extended to the back cover also. Whoa! I did not know that, very cool. You have had an extensive background in music. What else do you do outside of music? Is there anything that would surprise fans? Do you have any upcoming projects? 
 
Thunderstick: Upcoming projects really are still music based as I am concentrating on trying to promote the new album. Outside of music…Cycling…I have recently had a knee operation and am slowly building up my stamina but before I had it done I was cycling around 150 miles a week.  I do have a couple of new projects on the go at the moment and more will be revealed next year! 
 
Thanks for all of the cool questions and of course your support…
Luv, B THUNDERSTICK.
 
HEAVY MAKEUP: Thank you Thunderstick for being an inspiration and entertaining us all! Much love and good luck with the new album and your knee.

    Thunderstick keeps busy with various projects. He not only is a great musician but he also is a sound engineer/producer for other musicians and has been a club promoter. He continues to write music and perform. Thunderstick’s new album, Something Wicked This Way Comes was released August 2017. Thunderstick has laid down the foundation for future mask bearing metal musicians as exampled by such bands as Slipknot and Gwar. Very few artists have been successful at creating their own unique rock image as a brand and became an icon due to it. However, Barry Graham Purkis pulled it off. He is a master visionary whose talent, focus and ambition are more than inspiring.
Thunderstick Band Line-Ups
1981-82: Vinnie Munro (vocals), Neil Hay (guitar), Colin Heart (guitar), Ben K. Reeve (bass), Thunderstick (drums).
1982-83: Ana Marie Carmella Borg (vocals), Wango Wiggins (Neil Hay's new stage name, guitar), Cris Martin (guitar), Ben K. Reeve (bass), Thunderstick (drums).
1983-84: Jodee Valentine (vocals), Wango Wiggins (guitar), Christopher Martin (guitar), Ben K. Reeve (bass), Thunderstick (drums), Ana Marie Carmella Borg (vocals for the 1983 EP were provided by Ana but the cover featured a photo of Jodee Valentine who had by then replaced her and was touring with the band).
1984-86: Jodee Valentine (vocals), Wango Wiggins (guitar), Bengt Sorenssen (guitar), Ben K. Reeve (bass), Thunderstick (drums).
1987-88: Jodee Valentine (vocals), Dave Kilford (guitar), John Slight (bass), Thunderstick (drums).
2017 Studio Line-Up: Lucie V (vocals), Martin Shellard (guitar), Dave Kilford (guitar), Rex Thunderbolt (bass), Thunderstick (drums)
Discography:
Studio albums with Samson:
·         Survivors (1979)
·         Head On (1980)
·         Shock Tactics (1981)
·         Head Tactics (1986)
·         Past Present & Future (1999)
·         The Early Singles (2011)

Studio albums with Thunderstick:
·         Feel like Rock 'n' Roll? (1983)
·         Beauty and the Beasts (1984)
·         A Bolt from the Black (1984)
·         Don't Touch, I'll Scream (1985)
·         Just'In Power (1987)
·         Best of British Metal (1999)
·         Echoes from the Analogue Asylum (2011)
·         Something Wicked This Way Comes (2017)

Thunderstick Filmograhy:
·         Biceps of Steel (1980)
·         Incubus (1981)
·         Thunder, Thunder (1985).
·         The History of Iron Maiden – Part 1: The Early Days (2004)
·         Iron Maiden and the New Wave of British Heavy Metal (2008)

Thunderstick Official Website:


Something Wicked This Way Comes… Album Cover


Lucy


Coming Soon: Cult Movie Review: Incubus

Tuesday, October 10, 2017

Suzi Quatro Retrospective and Interview with the Glycerine Queen:

By: Lucy Hall

Suzi Quatro Photo by Bob Gruen
            The world of rock and roll is definitely not just a man’s world, thanks to Suzi Quatro. Today women play a significant role in hard rock music because Suzi broke down the barrier for women’s participation in the genre. Suzi was not just a pretty girl singer in a band. She was the first to hold a bass and play amplified hard rock, and the first to earn the title of major rock star.          
            In the 70’s Suzi Quatro was “the quintessential hit maker,” starring on a hit television series, producing a string of hit singles and albums.  She was one of pop rock’s biggest stars. Prior to Suzi’s influence there was little place in rock for women and those places were reserved mostly for folk and R&B singers. She paved the road to hard rock music and made it easier for other female musicians to follow her lead.                        
            Suzi Quatro is a multi-talented artist; she is a singer-songwriter, multi-instrumentalist, record producer, radio personality, actress, and author. Her diverse talents originated from the encouragement and support she received from her musical family. Growing up she had lessons in playing piano and percussion. However, she was self taught in bass and guitar. As a child she played drums with her father’s jazz band, and as a teen she was a member of the all girl band, The Pleasure Seekers with her two sisters, playing bass and singing.          
           The 1970’s was the age of glitter and glam rock. Suzi’s musical peers at that time were of the British glam rock persuasion, which included the likes of David Bowie, T-Rex, The Sweet, and Slade. Although the genre was male dominated, Suzi easily harnessed their sound and style. Yet, her quality of work was not just a mix of glam rock and bubblegum pop, but rock and roll at its purest and she rocked just as hard if not harder than the guys. Being the first female in glam rock was not the only thing that separated her from the other bands. Suzi had a hardcore rock n roll attitude, raspy voice, repetitious chants, ascending riffs, and a highly energetic stage performance. Her big bottom bass playing created a thunderous beat and infectious grooves which resulted in an edgy combination of danceable boogie glam rock, and protopunk music. Her renditions of 50’s cover songs were delivered with her own hard rock twist which were punchy, punky, and very reminiscent of the Ramones sound.            
        Although Suzi’s primary music genre has been hard rock, her music has covered several genres. She released her self-titled debut album in 1973. She scored a string of hit singles "Can the Can", "Devil Gate Drive", “48 Crash", “Too Big", “Daytona Demon", and "Your Mamma Won't Like Me". In 1979, she had a top 40 soft rock ballad duet hit with Chris Norman, lead singer of Smokie. Some of her notable covers include Elvis Presley’s “All Shook Up”, and Beatles' "I Wanna Be Your Man".

Australian 2015 Tour, Photo by Megan Garth


     In 1977, Suzi had a recurring role as bass player Leather Tuscadero on the popular sitcom Happy Days. Leather was the younger sister of Fonzie's girlfriend, hot-rod driver Pinky Tuscadero. Leather fronted an all girl rock band, Leather Tuscadero and the Suedes.

Leather and Fonzie hanging out at Arnold’s

    In 1980, she had a song “Rock Hard” featured on the cult film, Times Square soundtrack.  During her acting career she guest starred in several television series which included, Minder, Dempsey and MakepeaceAbsolutely Fabulous, and Midsomer Murders. In 2006, she performed the voice of Rio in the Bob the Builder film Built to Be WildQuatro has also performed in theatre. She has performed as Annie Oakley in a London production of Annie Get Your Gun, and in the title role of a musical about the life of actress Tallulah Bankhead, Tallulah Who?  
    Quatro marked her 50th anniversary in the music industry with an anthology, Girl from Detroit, in 2014 with two new tracks. In 2005, a documentary chronicling Quatro's life, Naked Under Leather was released.

Australian 2015 Tour, Photo by Chelle Carr
     
            Within the androgynous spectrum of glitter glam rock artists like Bowie and T. Rex’s Marc Bolan, wore makeup, heeled platform shoes and feminine-styled clothing. On the contract Suzi was tom boyish sporting minimum makeup, jeans, sneakers, and full body leather jumpsuits. Society may have found the male glam rockers shocking because of their styles, but Suzi broke the traditional image of what a female pop singer should be. Suzi was a definitive trend setter. Just what “The Rachel” hairstyle from the Friends series craze did for young girls in the 90’s; Suzi made her signature shag hairstyle just as popular in the 70’s. People took notice of Suzi’s style and in particular that of Joan Jett who would also adopt her shag hair, denim and leather look. Joan Jett proclaimed that Suzi had been her idol and primary influence. Joan has been quoted saying, Suzi Quatro made her realize that girls could be successful at playing rock. While the other members of Joan’s group, The Runaways patterned their stage personas after male rock stars, she chose Suzi’s tough rocker chick role. Joan Jett is not the only female rocker that Suzi inspired; she has paved the road for various strong female musicians such as Chrissie Hynde of the Pretenders, Tina Weymouth of the Talking Heads, Girlschool, Heart, and Siouxsie and the Banshees.

Suzi Quatro Promotional Photo

       Suzi Quatro is an icon who was ahead of her time and broke all the rules. Because she was a strong woman with a loner persona this made girls identify with her because she was genuine and independent. Suzi had a legion of fan copycats dressed in leather with shags. She made a cultural statement by not making gender be an issue. Suzi saw no gender or musical barriers to whatever she wanted to do. She made playing instruments and rock accessible to girls and revolutionized rock and roll for generations.    

Suzi Quatro Album Cover Photo
I had the honor of interviewing the rebel queen of Rock, Suzi Quatro:

HEAVY MAKEUP: You came from a very musical family. You have played in bands with your sisters, your father and your brother was once your manager. What was it like working musically with family members?

Suzi Quatro: Very safe, like a continuation of family life at home. A big family is so self supporting

HEAVY MAKEUP: You are a multi-instrumentalist; you have played drums, guitar, piano and bass. When did you get into playing bass and why did you mostly stick to playing that instrument in particular.

Suzi Quatro: I started on bongos...then played drums in school orchestra, also studied classical piano...picked up the bass at age 14, from the time I strapped it on, I knew it was me…I don’t know why it just felt right.

HEAVY MAKEUP: Do you remember your first professional gig? What was that like? 
           
Suzi Quatro: Oh yes…with the band, at the local gig, The Hideout…we knew three songs…all same three chords…I looked out at the audience looking up at me, and thought to myself, “This is it for the rest of my life”.

HEAVY MAKEUP: What artists or bands do you currently listen to? Are you inspired by any new artists today?

Suzi Quatro: Yes loads…love Ed Sherian, Bruno Mars, Adele; working with KT Tunstall on some songs…my granddaughter keeps me up to speed.

HEAVY MAKEUP: What is your lyrical inspiration? Do you write from personal experiences? 
  
Suzi Quatro: Always, Always, Always.

HEAVY MAKEUP: Do you warm up your voice preshow or have any preshow rituals?

 Suzi Quatro: Oh yes…big time…ever since doing my first musical, Annie Get Your Gun, in 1986…where you are really exposed…I started doing a vocal warm up…its wonderful…I am singing better than ever.

HEAVY MAKEUP: You have experimented with various musical styles, ranging from jazz, commercial pop, punk, and hard rock, to smoother mellower styles. In your own words how would you describe your sound?
                       
Suzi Quatro: Organic…what ever I am doing…ballad, country, rock…I always sound like me…my tastes are wide…although rock is the stone on which I stand.

HEAVY MAKEUP: If Ozzy Osborne is the godfather of heavy metal, then you would be considered the godmother of glitter rock. How do you feel about being compared to glitter/glam bands? Where did you see yourself fitting into the music scene at that particular point in time?

Suzi Quatro: I am not glitter or glam, and don’t understand why I am always put into this category…I am pure rock and roll, going back to its original sound…always have been…the boys had makeup on…I had nothing…just a plain leather suit that I still wear, I consider myself the queen of rock and roll…always have.

HEAVY MAKEUP: Is there a facet of the music business that you prefer? Recording, touring, or writing?

Suzi Quatro: No…I love it all…but live, has the edge.

HEAVY MAKEUP: What is your favorite song to perform live?

Suzi Quatro: That’s hard…”Devil Gate Drive” is always a joy…as is “If You Can’t Give Me Love”…I have recently started to do “Desperado”…which is on my box set, “The Girl from Detroit City”, with Jeff Beck, Piano and just me singing. This is a real moment for me live.

HEAVY MAKEUP: You were not just a music revolutionary, but you were also a fashion icon. You totally rocked the full body leather jumpsuit. Was this look directly influenced by your love for your role model, Elvis?

Suzi Quatro: Yes…He influenced me in everything…I saw his comeback special…and leather became my thing.

HEAVY MAKEUP: You are recognized as not the typical girl singer role model. You wore black leather, denim, played bass, and rocked as hard if not harder than your glitter boy peers. Was image ever really important to you?

 Suzi Quatro: Yes and no, I wanted to be taken seriously…so although I wore a leather jumpsuit I refused to wear makeup…go figure!! But yes, image is important in “show business”…of course it is.

HEAVY MAKEUP: If there was a movie produced about your life and based on your biography, Unzipped who would play you?

Suzi Quatro: I don’t know…needs careful consideration.

HEAVY MAKEUP: During concerts, you could kick those platform shoes high in the air; did you ever have any mishaps or Spinal Tap type experiences?

Suzi Quatro: My platforms…were really quite small, just one layer…not like the others…I can kick quite high still…re Spinal Tap moments…I have so many you would need another six pages…my falls onstage are legendary.

HEAVY MAKEUP: During a time when it was fashionable for glitter rock guys to sport what was considered feminine looks, you were the opposite. You wore minimal make-up, and wore edgier clothing. You were often labeled a tomboy due to your look and attitude. Yet you were a natural beauty and desired by both males and females. You were not bound by gender and aided in breaking down androgynous stereotypes. How does it feel to have had such an important impact on society, females in particular?

Suzi Quatro: I like to feel that I stood for being “me”…that’s what I tried to put out…be true to whatever it is you are…and let nobody ever change you…I am happy with my place in history…and the place that is still to be written.

HEAVY MAKEUP: There was a period in rock music when glitter pop rock or cock rock was dominant in the early seventies and was lead by an elite British boys club. This included such acts as T. Rex, Gary Glitter, Slade, and David Bowie. However, you were part of that movement which primarily belonged to males. You single-handedly created a new wave of female cock rock. By blurring the lines of gender and playing gutsy, raw, attitude filled rock. You opened the door for female rockers to be accepted into the mainly male industry. What was it like for you to be in the middle of a male dominated genre of rock? What was your outlook during that glam rock movement? Do you believe views on women musicians are continuing to improve today? 

Suzi Quatro: I was aware that I was the only female around...but saying...I guess it stood me in good stead being a tomboy...I have always skirted all the genders...I don't know why...the only thing I was aware of at the time was that I had to be able to play hardball with the big boys...and...to keep my femininity such as it was...it's a hard balance but I managed and still do manage it...somewhere in between all that is my gender...whatever it may be.

HEAVY MAKEUP: You have been a musical role model who inspires toughness and independence for females. Prior to your influence, most women were traditional singers only. You were the first female bass player/singer that was a major rock star. You broke barriers for women in rock. You have been a major influence not just on Joan Jett and The Runaways who credits you for breaking all the female rules of rock and being her biggest influence; but also for Heart, The Pretenders, Girlschool, Chrissie Hynde, Siouxsie and the Banshees and all other riot grrl rockers to come. You set the template for every tough rocker chick to emulate your style, music and attitude. This I have also totally identified with throughout my life as a rock fan. How does it feel to be ahead of her time in terms of being a strong female pioneer of rock? Do you have any advice to female musicians?

Suzi Quatro:  Yes, learn one instrument properly…and then gig, gig, gig, gig…it’s the only way to learn your craft. And always be a professional…if you can’t stand the heat…”Stay” in the kitchen!!!

HEAVY MAKEUP: In 1977, you joined the cast of Happy Days as the iconic recurring character, Leather Tuscedero. Did you enjoy your time spent on the set? Who came up with your famous hand gesture, the thigh slap-finger gun? Also, was Henry Winkler as cool as his character the Fonz?

Suzi Quatro:  This was discussed with the director who wanted some kind of “business” to identify the character…we sort of thought of it together…it worked…

HEAVY MAKEUP: Today you continue to play live, work in radio, film and even Broadway. You have had fifty years of entertainment. What is your secret to longevity in music? Looking back on your music career would you change anything?

Suzi Quatro: There is no secret to longevity…I just try to keep learning, keep giving onstage, keep loving the business, keep doing all the artistic things I do, IE poetry, acting, writing novels, writing songs…performing…being a disc jockey…basically communicating and being creative…and never ever let anyone put me into a box…I continue to defy it.

HEAVY MAKEUP: You have had an extensive background in music and film. What else do you do outside of music? Is there anything that would surprise fans? Do you have any upcoming projects? Anything else you would like to tell your fans?

Suzi Quatro: Lots and lots…new supergroup, Quatro, Scott, and Powell, myself, Andy Scott original guitarist Sweet, and Don Powell original drummer of Slade…got together and recorded an album…eight covers and six originals…we supported me on my last Australian tour…album was released in that territory only and got number sixteen in the charts…ongoing BBC 2 Radio show…Quatrophonic…working on new album with Mike Chapman…working with KT Tunstall…and gigging, gigging, gigging.

      Suzi Quatro was not just a fading gimmick or one trick pony. She is a transcendent, ground breaking visionary who continues to write memorable songs with quotable lyrics, and perform live. She had an important role in rock history and is still active now, involved not just in music but also radio hosting and films. In 2007, her autobiography, Suzi Quatro…Unzipped was released. In 2017, Camry Toyota commercial features Suzi’s song “Wild One”. Suzi teamed up with Slade’s Don Powell, and Sweet’s Andy Scott, forming the supergroup, Quatro, Scott, and Powell (QSP). They released their self-titled debut album and kicked off a tour in February 2017.
       Suzi had to look up to and imitate Elvis and The Beatles because she did not have any female rock role models of her own, but thanks to her generations of girls had an amazing, kick ass, riot-grrrl, rock and roll rebel role model.


The Wild Cool One, Suzi Quatro


Suzi Quatro and Her Bass, Photo by Tink K


Suzi Quatro Discography:

Suzi Quatro 1973
Quatro 1974
Your Mamma Won’t Like Me1975
Aggro-phonia 1977
If you Knew Suzi 1978
Suzi…And Other Four Letter Words 1979
Rock Hard 1980
Main Attraction 1983
Annie Get Your Gun (Orginial London Cast Recording) 1986
Live & Kickin’ 1991
Then & Now 2002
What Goes Around 2003
Back to the Drive 2006
In the Spotlight 2011

Suzi Quatro Filmography:

Midsomer Murders 2007
Bob the Builder: Built to be Wild 2005
Absolutely Fabulous 1994
Dempsey and Makepeace 1985
Minder 1982
Happy Days 1977-79

Visit Suzi Quatro’s Official Website"