L.A. Guns, Budderside and Sinful Lilly: Interview and Concert Review at The Forum Part 2:

By: Lucy Hall


Budderside Photography by Thomas R. Biggs



     Early 2000 emo alt meets the crudeness of Motley Crue, when L.A.’s Budderside delivered a high octane performance of pure authentic rock and roll at Hazard’s The Forum on July 30th. Never a subtle band, Budderside mixed up hard rock, alternative, and modern rock, with everything from Mother Love Bone to a pinch of Weatus. A steady ration between hard style music and alternative without going overboard on either side. Their style does not appear to cater to any one specific trend.
     Budderside consists of band members, lead singer/guitarist, Patrick Stone, bassist, Michael Stone, guitarist, Colin Reid, and drummer Rich Sacco. My initial observation of Budderside was that they are party rockers who possess a poet’s passion. They seem to have some well-aimed songs that challenge intellect, yet they also have some fun party vibe songs. This was demonstrated by the songs they performed from their album which included the hard and melodic “Open Relationship,” alt rock “Ska Bra,” and the dance party favorite “Pain.”
     Budderside made Hazard concert attendees feel special by embracing not only Appalachian culture but also the name Hazard in itself. They paid tribute to Hazard performing a cover of the Johnny Cash song, “Folsom Prison Blues” by switching up the lyrics and changing Reno to Hazard. Patrick asked the audience if Daisy Duke was amongst them. In addition one of Budderside’s flyers features a Daisy Duke look alike and the General Lee from The Dukes of Hazard series. The audience response to their salute to our southern culture was ecstatic. BTW, another thing that caught my attention was Patrick having the audience chant, “Mother-F&$%er” which just happens to be one of my favorite words to use. 

     Budderside has some heavy credentials. Front man, Patrick Stone has performed in the group Adler’s Appetite. They have a lengthy involvement with the legendary Motorhead which includes manager, Todd Singerman of Singerman Entertainment (Motörhead’s management), producer Paul Inder Kilmister (son of Motörhead’s cultural icon, Lemmy), Phil Campbell as a guest on a track and their first studio album, released via Motörhead Music/UDR.
     Budderside's self-titled debut album features cyberpunk pin-up art on the cover, which I found interesting due to being a science fiction fanatic. The initial video launched of their first single, “Pain” features an assembly of ass-kicking hot chicks in the boxing ring. I haven’t seen this type of female glam-filled fun video since Motley Crue’s “Girls, Girls, Girls”.         

I had the honor of interviewing Budderside's  lead singer/guitarist, Patrick Stone who is clearly passionate about his music and uses lots of heartfelt emotion in both song writing, and engaging his fans.       

HEAVY MAKEUP: Early on in your career in music, did you always do vocals or were pushed into the role, due to not being able to find an appropriate singer?

Patrick Stone: Singing has always been my weapon of choice. I knew by the time I was five years old that I wanted to be the frontman of my own band. Like Prince, Michael Jackson or Bon Scott. My sister, Devon, gave me my first guitar when I was eight and I began to learn how to play and write. I really enjoy fronting, free of the guitar, but BUDDERSIDE sounds best when I'm holding down the rhythms. 

HEAVY MAKEUP: Do you warm up your voice pre-show or any pre-show rituals?

Patrick Stone: Extensive Pre, and Post, warm-ups and warm-downs. Discipline is the key. I learned from the universes best vocal instructor, Ron Anderson. Having taught Pavarotti, Elvis, Axl and Cornell (to name a few), I second guess him not! The rules are crystal clear and the results are undeniable. Some days are harder to warm up than others, but I've learned to gauge how long my routine will be before I'll be ready. As soon as I wake up I know. Sometimes it takes over an hour of exercises before I'm no longer horse and able to climb into the full warm up. It's a lot of work, but the show is the payoff.

HEAVY MAKEUP: When did you get into guitar and why?

Patrick Stone: Probably when I first saw the cover, then listened to Highway To Hell. That "crunch"! Thumbing through my sister’s record collection while listening shaped me. I remember it like yesterday. The feelings and visions guitar players fed the heart and mind with notes and chords was intoxicating. Then there was the acoustic. John Denver, Peter Paul and Mary. She had a Kansas record, too. Once I heard "Dust In The Wind".... I just had to.

HEAVY MAKEUP: how many different guitars are you currently using on stage?

Patrick Stone: Two, myself. Both are ESP EC-1000T/CTM's. I have very personal names for each. One in black, for standard tuning and one white, for drop D. ESP has been supporting my arsenal for years and I am so grateful to rep such an incredible company. Colin plays a Gibson Les Paul and Stoneman endorses Marvin. 

HEAVY MAKEUP: What's your advice to a young player?


Patrick Stone: Anything is possible. Don't hesitate. If you want this life, go after it. Keep your mind clear and focus on one goal at a time. First and foremost, be great. If you're better than the next guy, the job will be yours. At the same time, play with others that are better than you are. Don't settle for amateurs. An amateur that plays with pros will soon be a pro. Love the music you are playing. If you don't believe it, no one else will. Take lessons. Have great gear. Don't bitch. Be a team player. Kill your ego. Play in front of people all the time, as often as you can. Feedback, good and bad, is the key to the better you. Have fun!

HEAVY MAKEUP: Is there a facet to the music business that you prefer? Recording, touring, or writing?

Patrick Stone: No, not really. That's a very good question, though. I love every step of the process. Cool thing is, when one phase comes to an end, the next one begins. Every album is like a child that grows up. So much to learn and experience with each one. Each one is unique. I could really go on about this forever. So much to love. We love music so much.

HEAVY MAKEUP: While in the writing progress, where do you channel your lyrical inspiration? Do you write from your own experiences, or do the songs have certain story lines or themes?

Patrick Stone: Definitely a strong, deep spiritual and emotional connection to every song. Experience drives the feeling and story. I believe they all have themes, storylines and ties to personal experiences. The feeling of the music can dictate it's lyrical content and where to grab that inspiration from, or lyrical content and what I want to say can plant a seed deep that grows into sounds describing the lyrics around it. It really all comes in from different directions. The wave just rushes over me all of a sudden and I start to write. Words, melodies and chords are like colors. You let your heart guide you, one color at a time, add shading and detail, until the image is vibrant and clear.

HEAVY MAKEUP: What bands are you currently listening to either old or new? Who has inspired you the most?

Patrick Stone: Pink Floyd, Dead Sara, Foo Fighters, Muse, Guns N Roses, Ektomorf, Johnny Cash, Motörhead, Metallica, Lana Del Rey, Phil Campbell and The Bastard Sons, STP, everything- Chris Cornell, Taylor Swift, NIN, John Denver, Barb Wire Dolls, LA Guns.... Ha Ha! I'm all over the place, man. I love all genres. If the music has heart, I love it. Colin loves a wide variety, too. Guitar gods mainly. Stone is into Rage Against The Machine and shredder groups like Racer X, Rich is all about the musicianship of a bands drummer. If it's too easy, he doesn't like it. 

Lemmy inspired me the most because of who he was. His integrity. He led by example. His lessons guide me everyday. His encouragement is the fuel to our merciless fire.

HEAVY MAKEUP: What's your favorite song to perform live?

Patrick Stone: Songs are also like children. You can't love one more than the other. Recently, I enjoy performing "WIDE AWAKE", a song we'll record for our next album. I just can't wait until it starts. The crowd can't deny it. My feet don't touch the ground and the music flies out effortlessly. Fans just nod and smile, make that "fuck yeah" face or move and shake, acknowledging their possessed by this monster. "Clear Blue Sky", as well. It's just so pure and you can feel the message resonating with your audience. That chorus kicks in... and we're 10,000 feet above sea level.

HEAVY MAKEUP: You have had the opportunity to work with the legendary Motorhead, can you tell me anything about that? What stands out?

Patrick Stone: Controlled chaos! What stands out? Their love. The most admirable group of human beings you could ever want to know. Deserving in every way of recognition and respect. More talent than most of the musical community combined, ego-less to the core. So much fun, absolutely no rules. Above all "The Beast"! Phil's tone, Lemmy's words, Mikkey's punishing groove, together louder than all hell is what stands out! Anything they touch turns to gold. Their support, Phil is on this album and the next. Even from the grave, Lemmy is pushing us into your lives. This also, I could go on about for hours... 

HEAVY MAKEUP: What are some tour or show highlights that stand out so far?

Patrick Stone: St. Petersburg, FL. A huge audience like "Budder" in our hands. They gave us that "roar" and the chance to let it all out, it was just electrifying, for everyone there. It all started at the very beginning of the tour, but by Saint Petersburg, any kinks were kicked to the curb. We just keep getting better. 

"Poopy's" in Savanna, Il. The Guns watched from backstage and their smiles and applause just kicked on the nitrous! It's one thing to get the opportunity to open for your heroes, but for them to love you, encourage you and except you is entirely something else. Priceless!

HEAVY MAKEUP: Have you ever had mishaps or Spinal Tap type experiences, other than when I poured out an entire bottle of Budweiser on your merchandise table?

Patrick Stone: Ha Ha! Countless! Are you kidding? Lol. The reason those movies were so popular with musicians is because they reflect the truth of how it really is. If you don't have a good sense of humor, you'll never survive in this business. I've blown up in ear systems minutes before curtain, we've discovered passports left at home in route, late to the airport, all but fist fights backstage, constant arguing over what to wear, how to cut your hair... ALL OF THIS IS VERY IMPORTANT!!! Lol. It really is constant comedy. That's what makes it so fun. Our love for each other just grows and grows, regardless.

HEAVY MAKEUP: What's next for Budderside, I noticed on your official site some artwork for a comic series?

Patrick Stone: Yes, amongst many other things I am working hard to get the comic book off the ground. We're really excited about it. There's just so much we can do with the character. So much! Video games, movies, videos, live action, toys!!! We still have another month on the road with LA Guns in the United States. Lots of new Budderside merchandise coming out. You name it. I think we still have one or two more videos to highlight singles from the current album. Our manager is excited to put us in with a hot shot producer. We've been writing a lot, so there will definitely be some recording sessions coming up. You know, WORLD DOMINATION and all that.....stuff!

Thanks for the interview!

Cheers!

See you on the road!

Are you ready for a heart pounding, hard rocking, and adrenaline filled ride? It’s exactly where Budderside is going to take you. Be ready, they are coming to your town next.

HEAVY MAKEUP: By the way Patrick, did you find Daisy Duke in the Hazard audience?

Upcoming Tour Dates with L.A. Guns:

• Sun 07/23/2017 @ Black Sheep Colorado Springs, CO
• Thu 07/27/2017 @ Webster Theater Hartford, CT
• Thu 07/27/2017Fri 07/28/2017 @ The Palladium Worcester, MA
• Sat 07/29/2017 @ Crossroads Garwood, NJ
• Sun 07/30/2017 @ Reverb Reading, PA
• Tue 08/01/2017 @ Buffalo Iron Works Buffalo, NY
• Wed 08/02/2017 @ The Gramercy Theatre New York, NY
• Wed 08/02/2017 @ The Gramercy Theatre New York, NY
• Sat 08/05/2017 @ Jergels Rhythm Grille Warrendale, PA
• Sun 08/06/2017 @ The Music Factory Battle Creek, MI

Budderside at The Forum Photography by Thomas R. Biggs:

Lead singer/guitarist, Patrick Stone 

Guitarist, Colin Reid

Drummer, Rich Sacco



Bassist, Michael Stone

Lucy

·Colorado Springs, CO

·tix

·Hartford, CT

·tix

·Fri 07/28/2017

·Worcester, MA

·tix

L.A. Guns, Budderside and Sinful Lilly: Interview and Concert Review at The Forum Part 1:

By: Lucy Hall

Sinful Lilly Photos by Taylor Burgess and Thomas R. Riggs

Fredi Handshoe, the frontman/singer/songwriter/guitar slinger is the leader of a band that features an enigmatic and definitely energetic rhythm section comprised of bassist/singer/songwriter, Nikki Valklix and drummer, Trey Bledsoe.

Nikki surprised the crowd when he ran amongst the audience pounding his bass during their performance at The Forum in Hazard Kentucky on July 30^th, when they played alongside L.A. Guns and Budderside. Nikki’s aggressive playing while engaging the audience was gutsy and I haven’t seen this type of band/crowd interaction since the Kiss Psycho Circus Tour, when Paul Stanley flew into the audience on a zipline. Except, he flew throughout the audience and was scared to let his feet touch the floor.

I got the opportunity to meet the shirtless drum basher, Trey at the venue whom I had not gotten to meet at the last Sinful Lilly show. This guy has revived the all but lost art of over the top drum bashing similar in creed to Keith Moon, consisting of drumming that will crack your eardrums.

Together they have created a steamy modern musical mix that includes not only an 80’s musical undertone that could be upbeat pop metal, but also a darker side of White Zombie style chords, rhythms, and choruses that is heavy and pissed off, yet much more in between.

When I first saw the band perform alongside Bullet Boys back in April at the Appalshop, I bet then that the band member’s music collection at home would be as much punk, and industrial, as it is metal. During their recent performance I noticed the band had an even harder sound than I recognized previously. I could have sworn I heard splices of 90’s industrial metal this time round integrated into some songs; such as maybe a little Prong, White Zombie or Green Jelly.   

I recently had the opportunity to interview Fredi, Nikki and Trey. I learned they do have diverse influences, an impressive background in music, and that they have much love and respect for their fans.

HEAVY MAKEUP: How long have you been playing music? 

Fredi: Since I was born…

Nikki: I've been interested in playing music for as long as I can remember, but being serious about playing music, five to six years

Trey: I was a late starter, very much into sports and thought baseball would be what I would do but that didn't work out.  I beat on pots and pans as a kid (typical) but around 15 I started playing every day.

HEAVY MAKEUP: When did you get into playing your instrument and why?

Fredi: I got into playing guitar when I was a freshman in High School. To meet girls of course…..haha. I’m a huge Beatles fan and that made me wanna play music but Ace Frehley of KISS made me wanna play guitar. Nothing really took off until I moved to Atlanta and started playing originals with Sex Cab....opening for National Acts. 

Nikki: I always had a heavy interest in playing at a young age but finally applied myself once I grew tired of playing Guitar Hero and picked up a real instrument.

Trey: I got into drums loving all sorts of things I'd heard.  I was heavily involved in the Catholic Church at the time so I thought if I listened to Stryper and Slayer, it would cancel itself out.  But melodic rock got my attention at first but then sleaze rock showed up and I was gone. Salty Dog, Bang Tango, Dangerous Toys (melodic in their own right) and a number of others.  Then I was influenced heavily by the late 90's nu metal. Involved in the local scene w/ a band called Twist and I really did love that band.  But I got to know the guys from Chum, Supafuzz and so many others it's crazy.  Chris from FFDP was part of that scene and I filled in with his band once or twice at least.

HEAVY MAKEUP: What was the first instrument you owned?

Fredi: A Sears Cherry Sunburst Acoustic…..when I was 8 yrs old I got it for Christmas. Although my first electric was a Tesco Delray that had the amp built into the case. I purchased that guitar/amp combo for $50 at a local brothel when I was thirteen….didn’t really know what I was walking into until I got there…..haha. If I was a little older, I might have gotten even a better deal on that guitar ….but it all worked out for the best….haha. I don’t have the guitar anymore, traded it off years ago but I do still have the amp and use it in the studio sometimes.

Nikki: Les Paul Jr.

Trey: A cheap white Tama kit which I sold when I upgraded and that kit made the rounds w/ half the drummers from my hometown.

HEAVY MAKEUP: Fredi/Nikki many different guitars are you currently using on stage? 

Fredi: 4 but it depends on how long our set is and how many different tunings I use….

1995 Black Gibson Les Paul Standard, 1993 Purple Gibson Les Paul Classic (looks red), 1984 Tobacco Sunburst Gibson Les Paul Custom and a 2011 TV Yellow Gibson Les Paul Jr.

Nikki: Two, Red B.C. Rich Mockingbird and a Black Gibson Thunderbird

HEAVY MAKEUP: Trey many different snares are you currently using on stage? 

Trey: If I get the opportunity, I use the DW custom first and the black beauty second.

HEAVY MAKEUP: Fredi/Nikki who are your favorite guitarists?

Fredi: Ace Frehley, Zakk Wylde, Randy Rhodes, Tony Iommi …..to name a few.

Nikki: Paul Stanley of Kiss and Doyle Wolfgang Von Frankenstein of the Misfits. I thought Paul Stanley always had rad moves as a showman/frontman on stage and it's more entertaining to watch the band members get into what they're doing onstage rather than watch them stand around facing down the entire set. As for Doyle, I dig his playing in the early Misfits days talking about giving his guitar a chainsaw-esque tone and giving his guitar a knuckle sandwich, always thought that was rad as hell.

HEAVY MAKEUP: Trey who are your favorite drummers?

Trey: Brian Tichy, Eric Singer (been a fan and follower for years), Tommy Cluefetos, Bill Ward, Randy Castillo, Tommy Lee (showmanship), Vik Foxx, Seven Antanopolous, this list could go for a long damn time.

HEAVY MAKEUP: What’s your advice to a young player? 

Fredi: Listen to everything but play what you enjoy and practice, practice, practice.

Nikki: Your fingers may hurt now, but they'll toughen up!

Trey: Determine what your comfort zone is and step outside of it.  Learn every style under the sun. Also, listen to every song playing in the background. You never know when you may rip apart from it.

HEAVY MAKEUP: Early on in your career in music, did you always do vocals or were pushed into the role, due to not being able to find an appropriate singer? 

Fredi: One of the bands that I joined during my college years….singing was a requirement. That was the kick in the ass that got me started…..haha.

HEAVY MAKEUP: Is there a facet to the music business that you prefer? Recording, touring, writing? 

Fredi: No, I enjoy the creative side during the writing process, the producing and engineering during the recording and the interaction with the fans on and off stage during the touring. Well maybe…..the performance is where everything comes together….there is nothing like seeing someone in the audience singing your song…

Nikki: I enjoy it all….

Trey: Touring and more touring…. I’m a live drummer.

HEAVY MAKEUP: While in the writing progress, where do you channel your lyrical inspiration? Do you write from your own experiences, or does the songs have certain story lines or themes?

Fredi: Every song is different, it really depends on what I want to convey. Sometimes I read a headline to a news article or pick up an ideal while watching a movie…..my inspiration comes from everywhere. I do pull from my own experiences but I usually intertwine that with a story line or a vibe that I want to create.

Nikki: I watch a lot of horror movies and read books of wild or introspective ideologies, so majority of what I write stems from those. But nothing beats writing about a gut feelin'.

Fredi: I agree...

Trey: I play either what's best for the song or if Fredi's in agreement, I go f'n nuts and enjoy myself!!!

HEAVY MAKEUP: What’s your favorite song to perform live?

Fredi: Devil Music and The Record Machine, speaking of writing and inspiration……the music was written first. I wanted to write something with a groove and the lyrics kind of came out of a saying that some of my family use to say when I was younger. I remember once I was listening to Love Gun by KISS and one of my Grandparents told me to turn off that Devil Music……well I guess it stuck with me….so when we were recording and I had to title our work for the day…..my comment was “just some good ole’ Devil Music” and the lyrics grew from that….haha

Nikki: The same, Devil Music and the Record Machine, it's just a fun groove to dance to and play at the same time.

Trey: Either Devil Music or Jack...actually it's Jack.  I'm not held to a click on that one so I can go crazier.  Plus I think we do a damn fine job on that with the ending & the live vibe of the whole thing.

HEAVY MAKEUP: When you go out on stage, what goes through your head? If anything, what crosses your mind? 

Trey: It - is - Mother - F*ckin' - On.  I live for this.  That's what I think.

Fredi: Oh Yeah….that’s it!!

Nikki: Yeah!!

HEAVY MAKEUP: Since you have had a long history of performing music, do you still get the same rush as in the beginning while performing?

Fredi: I do get a rush but different from in the beginning. I get a rush now because I can’t wait to get on stage….I love performing….it is where I feel most comfortable.

Trey: Absolutely, I enjoy delivering the goods (sorry Judas Priest).  I love performing and I love just being up there.  It's my drug.

Nikki: Yeah…

HEAVY MAKEUP: Do you warm up your voice pre show or any preshow rituals?

Fredi: I do have some vocal exercises that I warm up with, I took lessons from Ken Tamplin…… an incredible vocal instructor.

Nikki: Majority of my preshow ritual consists of stretching, gotta stay loose or I know I'll be stiff for days. 

Trey: Sort of but I really just do basic rudiments and go up and jam.

HEAVY MAKEUP: Have you ever had any mishaps or Spinal Tap type experiences? 

Fredi: I was performing at Ace Frehley’s birthday party in 2002 in New Jersey and some crazy shit went down between him and Gene Simmons. A few mins later Ace was standing on stage with me and the band telling everyone that he was going to leave KISS for the 2^nd time. That was really surreal.  Also in Omaha at a show one time, the stage manager couldn’t find the way to the stage….every door that lead to the stage was locked for some reason….so after about 15 mins of trying to access the stage…they gave up and walked us through the crowd….pretty cool entrance after all….at least we didn’t get lost under the stage…..like Spinal Tap…haha

Trey: With Sinful Lilly, no.  With other acts…..well I've made Spinal Tap look like the Disney movie of the week.  Ever had the cartel in your cheap hotel room armed waiting on payment from your singer?  Spinal Tap didn't cover that.

Nikki: Haha….

HEAVY MAKEUP: What’s next for Sinful Lilly, any tour plans, or upcoming projects? 

Fredi: Working on our first full album release and our first video which will be for “Devil Music and the Record Machine”. As far as tour plans…..yes, once the album is completed.

Trey: I'm pushing Fredi to finish the damn album and get a tour!!!

Fredi: Haha….Yeah, I need to get my ass in gear and my producer hat on… Well, I am flying out to Colorado to meet with Richard Easterling to mix 3 more songs the night after our show with Last in Line. Richard has worked on albums for DollSkin, Train, Tantric, Muse, Fuel, AmericanHeadCharge, Mark Slaughter and Dangerous Toys to name a few….. He also works a lot with Dave (Megadeth) Ellefson’s label EMP.

HEAVY MAKEUP: Music television and radio as an outlet for hard rock/metal became almost non-existence in the wake of alternative and pop music. For musicians it had to come down to having to rely directly on live performance, touring, and maintaining a core fan base. Which is and always has been the basic grassroots of rock. Bands have had to solely depend on having a core following. For you and your band it is evident that you “get it”. You use every facet available to promote your band. You get out there and talk to fans, and you network a lot. I believe that your efforts are effective and very much appreciated by fans. What do you think about changes in the music and lack of support for metal? 

Fredi: I feel that we have to work for every fan that we have. I want every person that comes to one of our shows to feel special, because they are…..they spent their hard earned money to see us and whoever else was on the bill. I want them to remember us on stage and off. I’m a talker so I enjoy talking to our fans and finding out who they are and where they’re from. That’s how we form a special connection with them…….they are the greatest!!! That’s no BS. As far as the lack of support…..this is a business….you either evolve and roll with the here and now or die like a dinosaur. Don’t wait for opportunities to arise…..make your own opportunities happen…

Trey: You do ask people to network on your behalf but the way to do it today is tour, tour and tour some more, sell merch, tour some more, rinse / wash / repeat.

HEAVY MAKEUP: Are you influenced at all by what’s going on in music today? What bands are you currently listening to both old and new?

Fredi: Yes, you have to if you want to stay relevant. Though I’ve always got some Alice Cooper or KISS on my playlist for the old….. you’ll see Manson on there as well as Motorhead. As far as the new stuff on my playlists…..you’ll find Beasto Blanco, Motionless in White, Rob Zombie latest album.

Trey: Artists nobody has heard but sufficient to say, I listen to anything I can get my hands on from rock to pop to metal to Djent to Dubstep.  I listen and used defensive listening in case I need to use it on a song.  

Nikki: All the time, of course it depends on how I'm feeling, and the new bands I listen to may not sound anything like what we do, but I like to try and experiment with different elements that stem from what I'm listening to. I've been currently jamming to Manson's Antichrist Superstar and Iggy Pop's Raw Power in full, as for new stuff...I've been hooked on Doyle's new album as well as Wednesday 13's new release.

Sinful Lilly is classic while staying relevant. They understand what it takes to be successful, and because they love music they realize that quality is much better than quantity. They strive to demonstrate that with all their dedication and hard work to stay true to their music and fans. Like Fredi says, they work for every fan. These are prime examples of what this band is all about. They have a quality production and the image you’d expect from any commercial rock band.

Upcoming projects include a new album and rock videos, so we’ll be checking back with Sinful Lilly, a talented band whose big sound is a winning one.

Sinful Lilly at the Forum Photos by Taylor Burgess 

Singer/Guitarist, Fredi Handshoe

Bassist, Nikki Valklix

Drummer, Trey Bledsoe


Sinful Lilly at the Forum Photos by Thomas R. Riggs

Drummer, Trey Bledsoe

Bassist, Nikki Valklix  

Singer/Guitarist, Fredi Handshoe



Nikki and Fredi

Lucy

Sorcery Retrospective and Interview with the Remarkable Perry Morris:

By: Lucy Hall

     Drummer, Perry Morris is a talented and resourceful musician and business man. Perry had been an established drummer and was playing with many artists in the 1970’s. He was initially a studio session musician for Universal when he was approached to join the theatrical rock group Sorcery. Perry also has many impressive credentials which include an AFTRA, S.A.G, AFM/AFofM and Local 47 Musicians Union memberships as a result of his extensive work with films, television, and studio projects. He has composed music for several movie soundtracks, television bumpers and commercial jingles.

     Perry's business savvy was a major credit to Sorcery. He handled most of their business and continues to do so today. He has had many industry contacts which he utilized to book gigs at legendary venues on the Hollywood strip. He helped secure management, and promotions for the band which lead to being offered starring roles in the film Stunt Rock and also scoring a record deal.        
      Perry got the band booked for television gigs with the radio and television cultural icon, Dick Clark for his music television Halloween specials during the years of 82’ and 83’.  Perry also helped them land the movie deal for "Rocktober Blood".      

     Perry is credited as a musician for not only Stunt Rock and Rocktober Blood but also for 2015’s Knock Knock (in which Sorcery’s song “Talking to the Devil” appears). He has acting credits for both the Sorcery films and 1974’s The Zoo Gang, television series.

     The Sorcery band formed in 1976 and later disbanded in 1987. However, projects and promotions continued thanks in large part to Perry Morris’ commitment to the band’s work.      
     Sorcery is known for their music, and elaborate stage shows consisting of band performances and two master magicians incorporating the use of magic illusions in the on-stage battle of good vs. evil. Billing for their live theatrical act was “The King of the Wizards against the Prince of Darkness"  

The Members of Sorcery consisted of:

•        Drummer, Perry Morris
•          Guitar, Keyboards, Richard Huff
•          Bassist, Richie King
•          Vocalist, Greg MaGie (from 76’-79’, then 84’-87’)
•          Vocalist: David Glen Eisley (from 80’ to 83’)  

There were also numerous Guest Musicians for Sorcery:

• Percussion, Joe Porcaro: (for Stunt Rock LP)
• Keyboardist, Doug Loch
• Keyboardist, Steve Hendren

• Guitarist, Lon Cohen

I was recently lucky enough to be able to interview the amazing Perry Morris:

HEAVY MAKEUP: When did you get into playing drums and why?     
Perry Morris: I started at  12 yrs. old. The Beatles were certainly a contributing factor, but I started playing before I  (And so many others) saw them on Ed Sullivan's show).

HEAVY MAKEUP: How long have you been playing?                                                                         
Perry Morris: About 52 years now.

HEAVY MAKEUP:  What was the first drum kit you owned?  
Perry Morris: Ludwig                

HEAVY MAKEUP: Do you remember your first ever gig? What was that like?
Perry Morris: My first "Gig" I was in Jr. High, and played a school concert in the school’s auditorium for the student body...with the music teacher (who played bass, and another student who played guitar. The song we played was "Gloria" by the British band, "Them".                                                                         

(See https://en.wikipedia.org/wiki/Them_(band)

HEAVY MAKEUP:  Is there a facet of the music business that you prefer? Recording, touring, or writing?
Perry Morris: I have participated in the writing, producing, and many facets of the business. I prefer playing and producing I think most.

HEAVY MAKEUP:  Who are your favorite drummers?                                                                
Perry Morris: That would be a long list. So I'll cut it down a little. Jazz; Buddy Rich, Joe  Morello, Louie Belson, Rock; John Bonham, My best friend in high school, Jeff Pocaro, Jimmy  Gordon (Derek & the Domino's), Bill Ward (Black Sabbath), Bernard Purdie, Alan White and  Bill Bruford (from Yes).

HEAVY MAKEUP:  What is your favorite song to perform live?                                                  
Perry Morris: That's a tough one...hmmm "Wizards Council" from the Sorcery stage show.

HEAVY MAKEUP: What advice would you give to a young drummer?                                               
Perry Morris: You'll play with lots of people over time..., not every band you play with will be the one you like. Bands come and go.. JUST keep playing.

HEAVY MAKEUP: Do you remember your first “professional” gig? What was that like?                           
Perry Morris: Played a night club in L.A. when I was 16. I wasn't old enough to get in, so I  stayed in the dressing room before we went on.

HEAVY MAKEUP: What artists or bands do you listen to?                                                          
Perry Morris: Dave Brubeck 5, (Joe Morello) Miles Davis, Steely Dan (Jeff Pocaro, Bernard  Purdie and Jimmy Gordon played with them). The Beatles, and so many more...

HEAVY MAKEUP: You handled the business side of Sorcery’s career and a lot of the networking,  and arranging gigs at such legendary clubs as the Whiskey and Roxy, but did you have any input  concerning writing the songs?  
Perry Morris: All the time. They were good song writers, but needed a cohesive element that  brings the music together. A good drummer can make ALL the difference. What I did is make  the "arrangements" better. Suggesting many times to simplify the music. Make the songs have  dynamics and space. A good drummer knows when "NOT to play" and leave the space to  enhance the overall music score or tune, which is very important in the final mix.

HEAVY MAKEUP:  When I watch the concert footage in Stunt Rock, I feel like I am there in the  arena. The live raw power of sonic Sorcery songs alongside a duel between the King of Wizards and  the Prince of Darkness is infectious. The appreciation and excitement of the audience is obvious.  However, you were up on that stage with all that elaborate pyrotechnics, the fire, smoke, and  dangerous stunts. At any point did you fear you could be experiencing a Michael Jackson incident  like the Pepsi commercial fire?           
Perry Morris: GREAT question... I must say...The turn-outs for Sorcery shows were simply  amazing. You really had to be there. In 1977 we had, Hands down... the most unique show in  music. Everyone in Hollywood would come to our shows when we announced then, and tickets  went on sale.  From music people, to other bands. Celebrities of all kinds (Music, TV, Movies)  all came. IT was "SRO" (Standing room only) met a bunch of them backstage after our shows  also. From Keith Richards to the "Tubes" and so many more. It was the place to be! We  appeared on a local L.A. news channel, KTTV (Channel 11) in L.A.  On "Metro News" from  that time on..., it was go time.  Our shows were sold-out in a matter of hours. I mean  EVERYONE who was anyone in L.A. showed up the see us. We were the most visual act in  music. Way ahead of Alice Cooper and Kiss. One night at a Whisky GIG, the tech running the  fires and explosions, spilled a drink on the switch panel, and nearly blew up the place. We  could have been the band who blew up the Whisky Ago-go on sunset. Our crew took care of it.  We had a licensed PYRO-TECH at all our shows.

HEAVY MAKEUP: Your fans span many generations and you have a loyal cult following, how do you feel about that?
Perry Morris: Because of the internet...That's been fantastic. We first broke out in 1978/  Europe, then Australia, then the rest of the world. USA was not first. England, Belgium,  Germany France was first for us. Not many people know that...I put together our First band  website in 1997.

"In 1997...I was the one...who first promoted the Stunt Rock movie and Sorcery on the internet...; everywhere I could... all over in '97, when really no-one was interested."

HEAVY MAKEUP: There was a period in hard rock music when there was a lack of support due to music television and radio not playing much of the music. However, in recent years thanks to the  internet, bands having a core fan following, and touring the support has shifted and is now much  better. What do you think about the changes in music today? Are you inspired at all by what’s going  on in music today? Will there ever be a chance of a Sorcery reunion?  
Perry Morris: No real problem with support... I did most of it myself. The internet changed  everything. Before you needed a "Label" to really break-out a new band. Now just record  some songs anywhere from a garage to a small home studio, post them and you're in the music  business. But that's not really true. The "business" is very complicated and requires real  promotion. You can get lost in the "net" with all the music now out there. No future tours for  us now. We have had talks about it, and to be honest, and we see friends still playing all the  time.... but we've decided to keep our image as is.

HEAVY MAKEUP:  I am basically a fanatic when it comes to my collection of rock horror movies of the 80’s. My collection ranges from the best, Trick or Treat, Rocktober Blood, and Phantom of the Paradise; to the worse Hard Rock Zombies, Hard Rock Nightmare, and Scream Dream. You are a pioneer of rock films. Can you tell me about your initial thoughts on starring in a rock horror film?  Were you excited? Did you have any concerns on how you or the band would be portrayed? Any highlights that stand out? Were you bothered by the idea of Sorcery having a fake band name in the film, the Headmistress band?                                                  
Perry Morris: Boy... you ask great questions...When I got the call from a friend at Warner Bros. in Burbank about the "Rocktober Blood"  project, it was initially just another "GIG" for the band.  I met with the producers, Fred and  Beverly Sabastian, and made the deal for us. We started in just a couple weeks after our first  meeting. Not all Sorcery members, just the three primary musicians from Sorcery. IE: Myself,  guitarist Richard Taylor and our Bass player, Richie King.

HEAVY MAKEUP: The King of Wizards vs. the Prince of Darkness is an ingenious title and concept. It reminds me of Robert E. Howard’s sword and sorcery writings. The mash up of horror (Satan) vs. fantasy (Wizard). Sorcery’s entire stage show was a rock opera concept. Who initially had the idea for this concept? Who came up that ingenious title? What was it like to work with two master magicians? 
Perry Morris: The group had just formed and play two shows before I joined them. My brother, Richie King, was their bass player. When I returned home from a tour, they wanted a new drummer. Rick told them about me. When I got back off the road, I went to the musicians union in Hollywood (Local 47) to pick up some checks and see what was available for me to do. That's how I got the job at Universal studios. (Union Gig) I was working as a studio musician at Universal Studio's daytime (10: AM to 4: PM), doing background movie and TV music for the Universal Music Library. Almost all "Chart" work.

HEAVY MAKEUP: Sorcery has played sold out shows as the headlining act with some unbelievable  opening acts such as Van Halen. Who in the business have you seen come and go that stands and left  an impression on you?     
Perry Morris: Here's a little fact very few know about Sorcery.  SORCERY headlined every show we played. We never opened for anyone...ever.                              
As far as who influenced me...Lots of great bands. Beatles, Zep, Jethro Tull, Dave Brubeck,  Yes, TOTO (one of my closest friend back then, Jeff Pocaro.) Missing Persons, friend Terry  Bozio) and many more...

HEAVY MAKEUP:  Much like the Italian progressive rock band, Goblin, Sorcery has composed  music for quite a few films other than the two films in which the band stars. Is there any stories  behind those or highlights you could share?                                                                                           
Perry Morris: Because of the movie "Stunt Rock" and its director, Brian Trenchard-Smith, we  were led to relationships and provided music to Quentin Tarantino, and Eli Roth. I also used  the movie to secure relationships with Peter Shields at the William Morris Agency in Beverly  Hills CA. and book the Dick Clark shows.

HEAVY MAKEUP: I consider the band to be progressive hard rock/metal in the same vein as for example the band Rush. How would you describe Sorcery’s sound?  
Perry Morris: I really tried to make Sorcery not sound like everyone else in Hollywood at that time. They all really sounded the same to me. From (My friends in "Quiet Riot...Frankey Benelli, to Motley Crue" and the rest at that time... I thought, they could change singers, and basically still sound the same. Sorcery HAD to sound different to make its place in the crowd.

HEAVY MAKEUP:  Stunt Rock continues to play today as a midnight movie, how do you feel about that?    
Perry Morris: I've been working with two main guys who place movies in theaters. They are always looking out for theaters to place the film/movie. Had a pretty good year in 2016.

HEAVY MAKEUP: Have you ever had any mishaps or Spinal Tap type experiences?          
Perry Morris: Funny you mention "Spinal Tap". Stunt Rock had the same film editor as Spinal Tap.          

Robert Leighton. (See: http://www.imdb.com/title/tt0078335/trivia?ref_=tt_trv_trv).

HEAVY MAKEUP: You have had an extensive background in music and film. What else do you do outside of music? Is there anything that would surprise fans? Do you have any upcoming projects?      
Perry Morris: I'm a car guy growing up in the San Fernado Valley CA.  Grant High Sherman Oaks CA. and USC after. I've had some great cars over the years from 911 Porsches, to Range Rovers. I surf, love riding my Dirt Bikes, and I have a National Gold medal in Short Track speed skating from 1965.  I like to attend F-1 racing in Austin TX.  Only upcoming projects currently... is our music in the new re-make of Death Wish out this year. Nov. 22 2017 release date. Always networking to place our music in other films.

HEAVY MAKEUP: What else can I tell people about the amazing Perry Morris? 
Perry Morris: I have a degree in Economics from USC.  In 1984...I left the music business for some time, and became a financial advisor at Morgan Stanley. Was also the registered Sr. Futures trader. (Series 3 Licensed required). I started the company, Sorcery Music Intl / Publishing in 1982. I do all the SORCERY music licensing, synchronization agreements, "Use Authorizations" and placement/agreements for the band.

Perry Morris: Thanks for your interest in me/us. You are great to work with.        

HEAVY MAKEUP: No, thank you Perry for keeping magic, music, and dreams alive for us all!



Drummer, Perry Morris

Drummer, Perry Morris

Drummer, Perry Morris with Sorcery

     It is easy to see why Sorcery and both their starring films have a cult following. Sorcery was not only good musicians who provided unforgettable stage shows but they were also way ahead of their time. They were arena rock headliners who held sold-out shows. They were and also continue to be today well respected by their peers, and their fans. They are a true one of a kind group.    
     Their stage show was and remained the best presentation of music and magic ever seen. Long before Criss Angel incorporated heavy metal music into his live illusion magic act. In addition, Stunt rock was the one and only musical action film.        
     I discovered the horror movie Rocktober Blood because I was probing the aisles of a local video rental store in hopes to discover more rock horror films like Trick or Treat. After screening the film, I became an instant Sorcery fan. Afterwards, I went on a hunt for anything Sorcery related and that’s when I discovered Stunt Rock. I thought to myself this band rocks! I then persisted to watch the film over and over. I have also persuaded many friends and family members over the years to watch it. Who later went on to also become fans.  
     Concerning Rocktober Blood, I think it is so underrated. Unlike most of the camp rock movies I collect and love. With Rocktober Blood I don’t have to necessarily become intoxicated to be able to tolerate getting through to the end. I don’t feel the need to have my friends over for movie night and cocktails so that I will have someone to do hilarious commentary over the film in order to make it fun. That’s because Rocktober Blood is entertaining without all of that.    I have had the opportunities to actually see other theatrical shock rockers in concert such as Kiss and Alice Cooper. However, I missed the chance to see Sorcery. Regardless, by watching Stunt Rock over and over again, I can feel like I am at the show and live vicariously through the on-screen audience. Top of Form   
     The producers of Stunt Rock were smart to use Sorcery in the film. Their performance is what sets the mood of the film. If the producers had of went with some other band, it just would not have produced the same result. The musicianship Sorcery demonstrated in concert was second to none!

Noteworthy Dates: 

• In 2000, a Sorcery Live album was released.
• In 2009, Code Red release's New DVD of the film Stunt Rock. A two disk set complete with interviews which includes band members, Perry Morris and Richard Taylor.
• September 2016 Rocktober Blood movie and soundtrack are re-released on Lunaris Records.
• January 2017 Stunt Rock Movie DVD release.
• The new re-make of Death Wish set for Nov. 22 2017 release date will feature Sorcery music.

     Although, Sorcery may be disbanded, Perry Morris continues to keep Sorcery on the map. They have an active maintained website, where fans are able to purchase band merchandise. 
     Due to the band and their films gaining considerable attention in cult film circles; Stunt Rock and Rocktober Blood continue to be played as midnight movies in theaters today around the world.  
     Sorcery's  music continues to be used in films from Quentin Tarantino's 2007 film, Grindhouse, to Eli Roth's film, "Knock Knock" starring Keanu Reeves. In addition, Tarantino who is a cult movie fanatic like myself, also highly recommends Sorcery’s films. He is quoted on the back cover for the Stunt Rock film as saying, “If you don't like (this), go f&^% yourself!" I must say, well said!

Get your Sorcery Merchandise here:

http://sorcerymusic.com/



Stunt Rock Movie Theatre Bookings

Coming Soon: Cult Movie Review: Stunt Rock

Lucy